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December 1, 2020

It doesn’t have the same bulk as a 600mm f/4 lens. A professional telephoto lens of the Canon L-series, this is the most affordable Canon lens with all the existing features that make it an eye-catching choice. Pros: This Sigma telephoto lens competes against its Canon and Nikon rivals–with a significant reduction in price. And finally, autofocus is ridiculously fast. The telephoto lens allows you to magnify the subject, making things appear closer to the camera. DxO PhotoLab 3: The Best Digital Darkroom? And unfortunately, this lens is no exception. The latest editions have advanced image stabilization and f/2.8. You’ve got it all in one lens. Do your research, explore options within your budget, and you’re bound to find the perfect lens for you. This lens comes in at 109 ounces (about 3 kg), which is not at all bad for a monster telephoto like this one. This wide-angle, telephoto zoom lens is for Canon EF-mount APS-C cameras, so it has a 35mm equivalent focal length of 25.6-480mm. And it’s built to last. There are so many options–and so many factors to consider. But what is the right lens for safari photography and how do you go about making the choice between the hundreds of telephoto lenses available in the market? But is that a dealbreaker? Another positive: This lens is light–light enough to comfortably handhold. FEATURES EXPLAINED AUTOFOCUS. What is a telephoto lens? Best Wildlife Lenses Canon EF 300mm f/2.8L IS USM II. So you can use it for all sorts of close-up shots, even of tiny critters. It offers incredible image quality–and it’s sharp across the board, from f/4 on up. This lens is sharp throughout its entire focal length range. …then there’s a lot to be excited about. Is 300mm long enough for my needs? For serious wildlife photographers, the Nikon 400mm f/2.8E is incredible. It has L series build quality and optics and being a little older not having image stabilization means you can also get quality at this focal length for a good price. For this image, I used a Canon 100-400L IS. And speaking of f/2.8, the wide maximum aperture is fantastic for low-light wildlife photography. All Rights Reserved. Bring the world closer with a telephoto camera lens. Optically, this lens is superb. This adds to the ease with which you can handhold this lens. The list below covers the best quality and expensive, to the more affordable end of the lens spectrum depending on your budget. They are mostly prime lenses, but we’ve thrown in a zoom for good measure: The first in the high-end range is the Canon EF 600mm f/4L IS II USM. 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', High contrast and sharp images with its ring-type USM enables the closest minimum focus compared to any of the L-series 70 - 200mm designs. Your email address will not be published. 8 affordable telephoto lenses for wildlife photography October 10, 2017 Most photographers have zoom telephoto lenses in their kit bag, generally of the 70-300mm type or equivalent. So you can easily capture photos of moving wildlife (even birds in flight). Speed and focal length are two critical factors in a wildlife lens. Designed to satisfy the discriminating needs of sports and wildlife photographers, the Canon EF 200-400mm f/4L IS USM Extender 1.4X is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. Canon’s ultimate wildlife photography lens. 4.7 out of 5 stars 2,256. Unfortunately, mind control and telepathy have not yet been integrated into modern lenses, but they can definitely get the image quality on point. Canon 100-400mm f/4.5-5.6 II (£1,820 // $2,000) The high-end lenses may seem expensive, but you are also buying into arguably some of the most professional level telephoto Canon lenses for wildlife photography available. But that’s a minor drawback, compared to the overall value of this lens. 00. Because this lens is sharp, even at f/4. Plus, the 100 to 400mm focal length offers a tonne of flexibility. The best lens choices for wildlife photography Let’s take a look at some of the best lenses available for wildlife photography. Perfect for birds and small critters, especially on a crop-sensor camera. A quiet micro ultrasonic motor powers the world's fastest autofocus that gives the user the option of manual override, recalling a preset focus position or limiting focus distance to … The Canon 70-300mm isn’t the flashiest lens on this list. And the quality of the bokeh is impressive. But for a select few, 300mm is perfect. It’s less of a heavyweight than the two offerings above, making it a nice happy medium focal length. Bestselling wildlife lenses include the EF 70-300mm f/4-5.6L IS USM Lens, EF 100-400mm f/4.5-5.6L IS II USM Lens and EF 600mm f/4L IS III USM Lens. And the lens is decently light–which allows for some portability and handholding in the field. And the zoom range allows for some serious flexibility in the field. The f/2.8 aperture also means that this lens will work with all of Nikon’s teleconverters. And with a 1.4X teleconverter, you can grab some extra reach (700mm, to be exact). The huge Canon EF 800mm f/5.6L IS USM Super Telephoto Lens has the power to fill a frame with even the most distant wildlife, but it comes at a steep price. The Canon 500mm f/4L II excels. The Canon EF 800mm f/5.6L IS USM has the longest focal length on this list and the highest price tag. Focal length flexibility: The 70-300mm focal length makes for a lot of shooting options. Although the majority of the high lenses here are primes, it’s still more convenient to use zoom lens. Canon 200-400mm f/4L IS USM Extender 1.4x, Our Pick for Best Wildlife Telephoto Lens: The Canon 200-400mm f/4L (With a Built-In 1.4x Teleconverter), Zoo photography is a perfect stepping stone into animal and wildlife photography. This lens is amazing overall–and a great choice for more flexible wildlife photography. The Nikon 200-500mm autofocus isn’t terrible. And you don’t have to worry about camera shake. Only 5 left in stock - order soon. While the focal lengths of the Canon EF 70-200mm f/2.8L IS II USM may be a little short for wildlife, but the versatility, quality, and reputation of these lenses can’t be ignored. When Canon announced their RF 600mm f/11 IS STM and RF 800mm f/11 IS STM lenses, they raised a lot of eyebrows. Now, before you buy this lens, you need to ask yourself: And the autofocus is very strong–working extremely well with fast-moving subjects. This lens is a powerhouse, going from 200 to 400mm (and offering incredible image quality along the entire range). This lens is sharp, even at the long end of its range. Buy Rent 1. This lens is decently light. Not when you check out the other specifications. A tool countless photographers rely on for added reach, this category includes such lenses as the 70-200mm 2.8, 100-400mm and 150-600mm. This allows for some focal length flexibility. It’s very sharp, even at 400mm. Which is something that you can’t say about most 400mm zooms. Image stabilization isn’t the most recent version, but it still does an excellent job. Browse wildlife lenses by mm - including the popular 300mm, 400mm and 70-300mm. You've seen the professional grade telephoto Canon lenses at sporting events before, the long white barrels have become iconic and widely hailed as some of the best professional telephoto lenses available. Image stabilization is here as one of the required elements. Let’s start with the biggest drawback: this lens is heavy. The Canon EF 75-300mm telephoto zoom lens is a lightweight and compact option ideal for shooting portraits, sports, and wildlife. And the image quality? You can shoot some close-ups of an animal, and then zoom out for an environmental portrait. The Best Canon Wildlife Lenses. The FE 100-400mm includes OSS (optical steady shot) for all-important image stabilization. Coupled with image stabilization both will do most of the heavy lifting for working in low light and keeping your images steady. Now, this is a relatively inexpensive lens. It’s built like a tank. Our unbiased reviews, industry news, and opinion pieces are designed to inform and inspire the next generation of great photographers. Yes, it’s big–big enough to be uncomfortable when handholding. The Canon EF 400mm f/5.6L USM is an excellent telephoto prime lens for wildlife and action. You can still get nice looking bokeh with the nine rounded diaphragm blades and its the only one in the Canon lineup covering 600m. By having a maximum aperture of f/2.8, it delivers superb image quality in bad lighting conditions and allows control over depth of field. Auto Focus is a nifty feature that allows your lens to take care of focusing on your subject. Image quality: The Canon 70-300mm is sharp at every point in its focal length range. The touchscreen is very helpful for accessing menus and fine-tuning focus in Live View. The Canon FD 35-105mm f/3.5 is a fantastic lens for this type of work, excepting that it could stand to be a touch wider. A magnesium and titanium construction helps to keep the weight down and used with an extender can greatly expand the range of this lens. The telephoto zoom is the lens that is going to be pulled out for portraits, events (including kid performances), sports, wildlife, landscapes, the beach, and many more photography subjects. 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', We've come up with 30 unique animal photography examples for you. Optical Stabilization (OS) is a nice final touch. At 500mm, this lens is well placed to handle smaller wildlife, including birds. It’s slow, especially in low light (when it has a tendency to hunt). Autofocus is fast and accurate. If you’re a photographer who’s getting serious about your nature shots, there are some truly excellent Canon lenses for wildlife photography. Your email address will not be published. Required fields are marked *. Sharp, fast and built for everyday use. Canon 100-400L – This is a classic wildlife lens, with excellent quality and a broad zoom range. It also looks quite a huge beast with its lens hood. https://expertphotography.com/best-telephoto-lenses-wildlife The Canon EF 100– 400mm f/4.5– 5.6 Lens is another excellent Canon lens on this list and it totally merits its inclusion. Fast enough for any wildlife, be it birds in flight or cheetahs on the run. And that doesn’t change across its range. 1. Canon has a few variations in the 70-200mm lens category. And the f/4 aperture will get you some nice, creamy bokeh. It also makes it far more portable. The ability to zoom greatly increases your compositional options. The Nikon 200-400mm f/4 is a monster of a lens–in more ways than one. Once a week, we curate and send you the best deals so you can save money on the hottest photography, drones, and accessories. If 400mm isn't quite enough to capture the action for your next wildlife adventure, there are very few excuses not to upgrade to the Canon 600mm f/4L IS II / Nikon 600mm f/4E FL ED AF-S VR. The Canon EF 400mm f/2.8L IS II USM lets in far more light than the lenses above with an f/2.8 aperture. The f/4 aperture gives some beautiful blurry backgrounds. The Canon EF 400mm f/5.6L USM is an excellent telephoto prime lens for wildlife and action. Consider the flexibility that this brings to your photography. Get it as soon as Fri, Nov 27. Fortunately, the Canon 100-400mm is impressive. Nor is it easy to lug around. For some people, 300mm is just too short. Perfect for more artistic wildlife photography. No doubt, the lenses are unusual, but … These types of camera lenses can be used by photographers of any ability and any interest. The lens is made to be dust and moisture resistant. Other options New and used from $179.00. Canon L-series lenses feature improved weather sealing and rugged build quality to withstand the rigors of professional sports and wildlife photography. It’s also sharp at f/4–which means that you can easily appreciate the wider maximum aperture. But it is superb! A faster telephoto lens with a maximum aperture of f/2.8 or f/4 would make it much easier to photograph the wildlife action. Here are 3 of the 7 steps we uncover in this 21 minute video: ['rmockx.RealPlayer G2 Control', Is it as impressive as the Nikon 500mm VR? Clip Studio Paint Pro: A Cult Favorite with Serious Legs. But does that make it a bad option? This lens is big, but not too big. ... At 3.08 lbs. When Is the Right Time to Upgrade Your Camera? It means that you don’t have to worry about lugging along several lenses. So you’ll be somewhat limited in low light. With the VR plus the f/2.8 aperture, you’ll be able to capture sharp shots in surprisingly dark conditions. And the lens offers four stops of image stabilization–perfect for use in low-light environments. And the vibration reduction is just icing on the cake. 'RealPlayer'], ['rmockx.RealPlayer G2 Control', A 300mm focal length is short for wildlife and sports, but still has all the quality of the other Canon lenses for wildlife photography. Despite some strong competitors, this Canon telephoto lens rises above the rest. Hands down. Telephoto lenses on cameras are often used in sports and wildlife … But in every other area? 12 Photography and Camera Terms You Need to Know, PowerVision PowerEgg X: Amazing, Spherical All-Rounder Drone, The Eachine E520S: An Affordable 4K Camera Drone, StudioFX 2400 Watt: Affordable Studio Lighting, Cheerson CX-10: A Small, Cheap, and Cheerful Drone. It focuses in milliseconds–fast enough to track running animals or birds in flight.

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